You can start with any file in your Lightroom library: Raw, Jpeg, etc. To do that, I navigated to the Perfect Layers folder that was installed in Applications folder after I downloaded it from the onOne site. First I had to enable it via the Plug-in Manager. You can access it in Lightroom via File > Plug-in Extras. Perfect Layers behaves as a typical plug-in. When I opened it back up in Perfect Layers, it had been been flattened. This image started in Perfect Layers, then went to Photoshop. I've tested this current 0.9 release, and have a brief overview for you. The 1.0 version of the software is due to be released later this year, with added compatibility for Aperture and Adobe Bridge. Perfect Layers is currently available as a free public preview for Lightroom users. Selecting a region changes the language and/or content on Software has borrowed one of Photoshop's most hallowed features, Layers, and created a plug-in for two of our favorite nondestructive photo management applications: Lightroom and Aperture. To return to a linear curve at any time, right-click (Windows) or Control-click (Mac OS) anywhere in the graph and choose Flatten Curve. ![]() Right-click (Windows) or Control-click (Mac OS) and choose Delete Control Point to remove a point. You can edit all three channels at once, or choose to edit the Red, Green, or Blue channel individually. To make adjustments to individual points on the tone curve, choose an option from the Point Curve menu, click the Edit Point Curve button, and do any of the following:Ĭhoose an option from the Channel pop-up menu. Note: The Point Curve menu is blank for photos imported with metadata and previously edited with the Adobe Camera Raw tone curve. The setting is reflected in the curve but not in the region sliders. Drag or press the Up and Down Arrow keys to lighten or darken the values for all similar tones in the photo.Ĭhoose an option from the Point Curve menu: Linear, Medium Contrast, or Strong Contrast. Non-raw files such as JPEG or TIFF include the temperate setting in the file, so the temperate scale is more limited.Ĭlick to select the Targeted Adjustment tool in the upper-left of the Tone Curve panel and then click on an area in the photo that you want to adjust. When working with JPEG, TIFF, and PSD files, you work in a scale of -100 to 100 rather than the Kelvin scale. One of the benefits of working with raw files is that you can adjust the color temperature as if you were changing a setting in a camera during capture, allowing a broad range of settings. If you shoot under photo tungsten lights and set the image temperature to 3200, your photos should appear color balanced. For example, photographic tungsten lights are often balanced at 3200 Kelvin. Click the current value to select the text box and enter a new value. You can also set a specific Kelvin value in the Temp text box to match the color of the ambient light. Move the slider to the left to make the photo appear cooler, and right to warm the photo colors. Use Temp to fine-tune the white balance using the Kelvin color temperature scale. Temp or Temperature sets how yellow/warm or blue/cool your photo looks. Preview, export, and upload web photo galleries.Work with web gallery templates and settings.Work with print job options and settings.Open and edit Lightroom Classic photos in Photoshop or Photoshop Elements.Export to hard drive using publish services.Correct distorted perspective in photos using Upright.Watermark your photos in Lightroom Classic.Personalize identity plates and module buttons.Display the Library on a second monitor.Set preferences for working in Lightroom Classic.Enhance your workflow with Lightroom Classic.The Filename Template Editor and Text Template Editor.Import photos from a folder on a hard drive.Import photos from a camera or card reader. ![]() Sync Lightroom Classic with Lightroom ecosystem.Adobe Photoshop Lightroom for mobile and Apple TV | FAQ.Using Adobe Stock in Creative Cloud apps.Feature summary | Lightroom CC 2015.x/Lightroom 6.x releases.
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